Arnolds Dover Beach and Wordsworths Tintern Abbey Essay example -- p

A reflection on Arnolds Dover Beach and Wordsworths Tintern AbbeyPoetry that establishes its raison dtre as linguistic play is, for Wordsworth, a matter of amusement and idle pleasureas if it were a occasion as indifferent as a taste for rope-dancing, or frontiniac or sherry (Preface 250). Wordsworth condemns poets whose efforts contribute mainly in celebrating formal experimentation he discriminates against rhyme that has recourse to what he calls a superlatively contemptible (265) language. Wordsworth advises his readership to mistrust what he calls the infinite caprices (261) of poetic composition, and he claims that such artifice undermines what he holds as metrical compositions true task. He is skeptical of poets who break in upon the sanctity of verity of their pictures by transitory and accidental ornaments, and endeavor to excite admiration of themselves by arts (260).Instead of celebrating metrical aesthetics as a pursuit valuable in its own right, Wordsworth regrets ve rse that compromises content for the ridiculous satisfaction of effect and immediacy of impression. To safeguard poetry from such intransigence, then, Wordsworth proposes a poetry that is more transcendental or conceptual. He seems to conjoin poetry and philosophy with a greater end in view, no query one receptive of his own endeavor in mapping issue a study of his introspective self Aristotle, I have been told, hath verbalise that poetry is the most philosophic of all writing. It is so. Its object is truth, not several(prenominal) and local, but general and operative not standing upon external testimony, which gives enduringness and divinity to the tribunal to which it appeals, and receives them from the same tribunal. (Preface 258)This statement ill... ...edArnold, Matthew. Dover Beach. The Poetical works of Matthew Arnold. Ed. C. B. Tinker and H. F. Lowry. Oxford University Press, 1950. 210-212.Arnold, Matthew. Wordsworth. Essays in Criticism second series. Ed. S. R. L ittlewood. London Macmillan, 1951. 73-96.McEathron, Scott. Wordsworth and Coleridge, Lyrical Ballads. A Companion to Romanticism. Ed. Duncan Wu. Oxford Blackwell, 1999. 144-156.Morgan, Thas. Rereading Nature Wordsworth between Swinburne and Arnold. Victorian Poetry 244 (1986 Winter) 427-439.Trickett, Rachael. Wordsworth and Arnold. The Wordsworth Circle 201 (1989 Winter) 50-56.Wordsworth, William. Tintern Abbey. Romanticism, maiden ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 240-244.Wordsworth, William. 1802 Preface to the Lyrical Ballads. Romanticism, 1st ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 250-269.